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Camo Life Ultimate Package with the Canon XF300

SKU: 409CLUP

Your Price:$12,692.69 After $500 Instant Rebate You Pay $12192.69 Through 6/30/12

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About the Canon XF300 Video Camera:
The XF300 Professional Camcorder represents Canon's entry into professional solid state video acquisition. Following on the heels of its widely respected XH line of tape-based camcorders, the XF300 takes advantage of the latest HD technology--along with Canon's newly developed MPEG-2 4:2:2 codec--to record Full HD video to affordable Compact Flash cards.
Nearly everything an outdoor videographer would want in a handheld, pro-level camcorder is here in one sleek package: three 1920 x 1080 CMOS sensors, multiple bit rates (up to 50Mbps), variable resolution and frame rates, industry-standard MXF file wrappers, a newly developed L-Series 18x zoom lens, HDMI/Component/Composite outputs, and full image customization. With its exceptional levels of image quality, ergonomics, and control, the XF300 is the perfect tool for applications such as outdoor videography, documentaries, independent features, and event videography.

About the Libec Pro LS-38M(2A) Tripod:
The Libec LS-38M(2A)N Professional 2-Stage Aluminum Tripod System includes the T72 aluminum tripod, H38 fluid head, PH-3 pan arm, BR-4 mid-level spreader, FP-2 rubber feet, and the TC-60 soft case. Capable of supporting up to 17.6 lb (8 kg), the LS-38M(2A)N is intended for full-sized camcorders for ENG applications.
The H38 fluid head offers fixed counterbalance, silky-smooth fixed fluid drag, and a convenient, industry-standard 75mm leveling ball. Setup is a snap with the oversized sliding camera plate with 40mm of travel to balance uneven configurations. Dual rosettes allow left-handed or two-handed operation.
The T72 aluminum, two-stage tripod uses rotary stage locks to assure dependable, tool-free setups, regardless of ambient temperature. Each leg terminates with a hardened stainless steel spike for use on soft, unstable ground, which can be covered with the included FP-2 rubber feet to protect indoor surfaces. The BR-4 mid-level spreader adds stability without complicating setup or takedown.
Whether reporting from the beach or the desert, the LS-38M(2A)N will provide steadfast support while delivering studio-grade moves. As you tuck it into the TC-70 soft carrying case, you'll smile with confidence knowing it's backed up with the iron-clad Libec 3-year warranty.

About the Gitzo G2180 Series Fluid Head:
The Gitzo G2180 Series 1 Fluid Head with Quick Release is a multi-purpose fluid head with a body made of lightweight Techno Polymer and an alloy quick-release top stage. It can support up to 8.8 lbs (4.0kg), and may be used with or without the pan arm (included)- with it when used for video cameras, and without it when used with spotting scopes.

About the 3rd Arm Pro Series:
The patent 3rd Arm Pro Series model is the highest quality constructed camera support unit yet. It is made of Air Craft grade Aluminum and has self lubricating composite bushing at all friction joints. The Pro model comes with a universal tree base, 2” non stretch ratchet strap and a curved swing arm. New for the Pro is a screw in hanger and string loop. This combination allows for hands free installation . The Pro has a better reengineered tree base that delivers even more rock solid stability. The Pro series weighs in at just 6.5 pounds. Maximum camera weight for the Pro model is 12 pounds. (Brown powder coat finish)
About the Varizoom ProL Zoom Controller:
The Varizoom VZ-PRO-L is a lens remote control system for DV camcorders. A true variable speed and manual focus remote control, the VZ-PRO/L utilizes the Control L (LANC) remote connector to control almost any DV camcorder including the Canon XL-1, Sony VX-1000 and the DSR-200A. Now for the first time, owners of these camcorders can use jib arms, tripods and have the same type of control found on cameras costing thousands more. Combination rocker and speed control dial allows you to vary speeds in a single movement - smoothly from a slow crawl to fast and then slow again. Also features manual focus control, universal tripod/crane mounts and a record light indicator.

About the Audio-Technica ATW-1821 Dual Channel Microphone:
The Audio-Technica 1800 Series provides a professional, dual wireless portable solution, while addressing the issues of portability, function and cost.
The 1800 Series wireless microphone system delivers the flexibility of a dual wireless system in a single compact and rugged, camera-mounted receiver. This system includes the ATW-R1820 dual receiver and 2 ATW-T1801 bodypack transmitters. Other configurations are also available.
The ATW-R1820 dual receiver is designed with 2 internal, True Diversity UHF receivers with an internal Antenna/Splitter amplifier. Dual balanced outputs enable incoming signal to be mixed, or independently assigned to each output. Independent audio level controls provide flexible audio mixing and monitoring possibilities. The compact ATW-R1820 is powered with six AA batteries, one of the internal receivers may be turned off to preserve battery life.
The ATW-T1801 bodypack transmitters are compact and rugged with 4-pin HRS connectors. The input is switchable between mic and line signal. Selectable Hi/Lo RF output power enhances range when needed and a 2 color power/mute LED indicates transmitter status. The transmitter is powered with 2 AA batteries for up to 9 hours.
Additional features of the 1800 series include 996 Auto-Scanning frequencies, simultaneous operation of up to 10 systems, back-lit LCD, soft-touch buttons and metal components.

About the Audio Technica AT875R Shotgun Microphone:
The Audio Technica AT875 is a short shotgun condenser microphone that measures only seven inches in length and exhibits the sound quality and performance of larger, higher-priced shotgun microphones. The AT875 addresses the needs of videographers who prefer a short microphone that stays out of the frame, and efficiently rejects off-axis noise.

The smooth, natural audio reproduction captures every detail while a tailored low frequency response controls unwanted low frequency noise. The rugged AT875 operates on 11 to 52V phantom power, and a standard XLR output integrates seamlessly with some of the smaller professional cameras.

About the Audio Techinca AT897 11" Powered Shotgun Microphone:
The Audio Technica AT897 is a short shotgun condenser microphone designed for audio capturing in video and broadcast applications. The microphone's unobtrusive length of 11" (279.40mm) ensures that the microphone remains out of the frame when mounted on compact, consumer video cameras.

The microphone's narrow pick up pattern enhances signal reproduction when capturing audio at long range. Excellent off-axis sound rejection minimizes noise and ambiance, emphasizing the desired signal. A wide frequency response provides accurate sound reproduction of signals registering at various frequencies. A low-cut frequency switch eliminates noise and hum registering at the low frequency range. The microphone operates on a single 1.5v AA battery or 11V - 52V phantom power.

About the Rode Blimp System:
The Rode Blimp Windscreen and Suspension System is a professional, adjustable windscreen and shockmount solution for popular shotgun microphones measuring up to 12.79" (325mm) in length.
The system is comprised of a professional pistol-grip with dual hoop suspension mounts that may be adjusted anywhere on the support bar. A short XLR cable provides an XLR connection at the base of the grip and connection to the microphone. The blimp windshield basket cradles the suspension mounts, and a fur windscreen covers the entire windshield basket.
The entire system is designed for handheld operation, and a 3/8" thread at the base of the grip allows the system to be boom mounted as well.

About the Rode Mini Boom Pole:
The Rode Mini Boompole is a compact, lightweight solution to electronic-news-gathering (ENG) and field recording applications that do not necessarily require a long boompole. The Mini Boompole features a fully extended length of 81-inches and 33-inches when contracted. A 3/8-inch stud easily attaches to compatible microphone mounts such as the Rode SM3, SM4 and SM5 shockmounts.

About the Campbell Camo Cameraman Backpack:
The Campbell Outdoor Challenge Cameraman Backpack by Game Plan Gear is designed with professional videographer in mind with quiet hunting features such as a strap system for a tree arm and base. Complete with fully customizable interior foam dividers, silent brushed tricot with weatherproof PVC backing, and mesh interior organizers. The Campbell Outdoor Challenge Cameraman Backpack by Game Plan Gear was designed as a heavier-weight system with an adjustable hip belt, sternum and shoulder straps to transport bulky professional camera gear while keeping the weight of the gear balanced. The ‘drop-down’ format provides quick access to your tapes, batteries, wireless mics, etc-- in literally any configuration that you can dream up. Forget jamming your expensive camera into an ordinary backpack exposing your camera to potential damage. The Cameraman has foam protection and structured features – all built into an ultra-quiet, treestand-friendly set-up.

About the Smith-Victor SV-840 AC/DC On-Camera Video Light Kit:
The SV-840K light kit serves a dual purpose as an AC or DC on camera light. It comes standard with a variety of light controls, battery, charger and has a universal camera mount.
This unit comes standard with 4 leaf barn doors, 5600 K dichroic filter and tilt function for ceiling bounce. The SV840 has the ability to operate on AC or DC power with a wide variety of lamp wattages. A universal shoe allows the light to be mounted to a female camera shoe or a 1/4-20 screw mount. This 12 VDC battery comes with a charger and is included in the kit.

About the Audio Technica Camo Headphones:
The ATH-PRO5MSA studio monitor headphones from Audio-Technica provide clear, crisp audio at an affordable price for the working professional. The headphones feature a padded, adjustable headband and cushioned earcups for a stable, comfortable fit. The around-ear earcup design helps to block out ambient noise, and the swivel feature provides convenient single-ear monitoring.

Large neodymium drivers with copper-clad aluminum wire voice coils provide rich, detailed sound with deep bass and excellent clarity. The single-sided coiled cable provides great flexibility, and the oxygen-free copper wire construction gives excellent conductivity. The gold-plated 3.5mm mini plug is compatible with a wide variety of devices, and a 1/4" adapter is included for connecting to pro-level equipment.

Also included in this package:
• 90 Degree bend XLR cable
• 15ft XLR Cable for Boom Pole
• Rode SM5 Shock Mount
• Campell AT875R Windscreen
• Rode Boom Pole Bag
• KATA CRC-15 Rain Cover
• (2) Replacement NP-F970 Batteries
• (2) Sandisk 32GB Compact Flash Cards
• Lens Cleaning Kit
• Campbell Spudz Lens Cloth
• 82mm UV Filter


Image Device	3 1/3" CMOS Sensors 2.37MP (2.07MP effective) each
Lens	18x HD L Series Zoom 4.1-73.8mm (29-527mm, 35mm equivalent) f/1.6-2.8 82mm Filter Diameter
Signal-to-Noise Ratio	Not Specified by Manufacturer
Minimum Illumination	4.5 lux (full AUTO mode, +21dB gain) 0.8 lux (Manual mode, +33dB gain)
Vertical Smear	Not Specified by Manufacturer
Built-in Filters	Neutral Density 1/4, 1/16, 1/64
LCD Monitor	4" Color, approx. 1,2300,000 dots
Viewfinder	0.52" Color, approx. 1,555,000 dots
Memory Card Slot	(2) CF - video (1) SD - settings, stills, metadata
Shutter Speed	Max 1/2000
Gain Selection	Not Specified by Manufacturer
Video Recording System	NTSC (PAL w/Mfr upgrade) Compression: MPEG-2 Long GOP Color Space: 4:2:2 (at 50Mbps recording) File Format: MXF Recording Modes: 50Mbps (CBR) 4:2:2, 1920x1080, (60i/30p/24p), 1280x720 (60p/30p/24p); 35Mbps (VBR) 4:2:0, 1920x1080 (60i/30p/24p), 1280x720 (60p/30p/24p); 25Mbps (CBR) 4:2:0, 1440x1080 (60i/30p/24p)
Frame Rates	60i, 60p, 30p, 24p
White Balance	Auto, Manual, Custom (2000K-15000K in 100k increments), Daylight, Tungsten
Maximum Recording Time	64GB Compact Flash (CF) card - Type 1 (Greater capacity is possible when two cards are used. UDMA supported.) 25Mbps: 310 minutes 35Mbps: 225 minutes 50Mbps: 160 minutes
Input and Output Connectors	Component (x1 Output) Composite: 3.5mm A/V (x1 Output), BNC (x1 Output) HDMI: HDMI (x1 Output) Mic/Line: XLR (x2 Input) USB: Mini-B USB 2.0 Headphone: 3.5mm Mini LANC
Power Requirements	7.4VDC (Battery Pack)
Power Consumption	Not Specified by Manufacturer
Operating Temperature	32-104°F (0-40°C), 85% relative humidity
Dimensions (WxHxD)	6 x 9.3 x 15"
Weight	5.8 lbs

Your price includes:

Canon XF300 Video Camera Kit
Libec Pro Tripod (LS-38M)
Gitzo G2180 Series Fluid Head
Varizoom Pro-L Zoom Controller
3rd Arm Pro Series Tree Arm
Smith-Victor SV-840 AC/DC On-Camera Video Light
Audio Technica Dual Channel Wireless Mic
Audio Technica AT875R Shotgun Microphone
Audio Technica 11" Shotgun Microphone
Rode Blimp System
Rode Boom Pole
Rode Boom Pole Bag
Campbell AT875R Windscreen
90 Degree Bend XLR cable
15ft XLR Cable for Boom Pole
Campbell Cameraman Backpack
KATA CRC-15 Rain Cover
Audio Technica Camo Headphones
(2) Replacement NP-F970 Batteries
(2) Sandisk 32GB Compact Flash Cards
Lens Cleaning Kit
Campbell Spudz Lens Cloth
82mm UV Filter

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Camo Life Ultimate Package with the Canon XF300

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